Auguste Rodin – a sculptor whose work I admired for a long time, so I wanted to see his sculpture “Burgers from Calais” at that time like Michelle and I visited the city. I always wanted to see this edition of the sculpture, so making it a reality was special.
I saw a black patinated edition in his studio / garden / home museum in Paris, France, and some mock-ups for sculpture on display at the Glenbow Museum in Calgary, Canada. But, the green patinated edition in front of the Kale town hall allows you to more fully enjoy the details of a complex sculpture.
In the morning of our visit, the sun was shining, but the cold winter still hung in a strong sea wind. A clear light emphasized the shadows of the figures, and their flour seemed pleasant, this story was expressed in vivid expressions with hands and faces. I always liked how Roden sculpted the muscles of his figure, and left fingerprints and tool marks. The green shades of the sculpture were complemented by the red brick of the town hall and blue sky.
From a distance, the sculpture stands on a small grassy hill and does not seem to scale in front of the massive town hall. But the scale of the figures increases, and their emotions intensify as they approach. It seemed refreshing to me that the viewer can still approach, touch and even stand among the figures of the sculpture, in contrast to the Paris edition, on which stands the blatant sign “Do not touch”. Michelle and I were able to enjoy the sculpture alone, as there were no other visitors. It also struck me that the sculpture was pleasantly devoid of vulgar marks, demonstrating the respect that this public art sculpture commands.
A few weeks later, while visiting the York Sculpture Park in England, we discovered the bronze sculpture by Matthew Jay Jackson “The Great Desolation”, inspired by the Calais Mounds. Part of Jackson took Rodin’s numbers, digitized and reduced their surface resolution to barely visible, then placed them on a detailed map of the moon’s surface, where the Apollo 11 crew landed in 1969. It didn’t affect me much. as a work of Rodin, as illustrated by my expression “Whaaaaaa …?”.